Nobel laureate Louise Glück, a poet of unblinking candor and belief exactly who wove ancient allusions, philosophical reveries, bittersweet recollections and amusing asides into indelible portraits of a fallen and world that is heartrending has died at 80.
Glück’s death was confirmed Friday by Jonathan Galassi, her editor at Farrar, Straus & Giroux.
She died of cancer at her home in Cambridge, Massachusetts, according to her publisher.
A former Student of Glück’s, the Pulitzer Prize-winning poet Jorie Graham, said that the author had only recently been diagnosed.
“I find it very much like her that she only learned she had cancer a few days before dying from it,” Graham said. “Her whole sensibility — both on and off the page — was cut that close to the spine of time.”
In a career spanning more than 60 years, Glück forged a narrative of trauma, disillusion, stasis and longing, spelled by moments — but only moments — of ecstasy and contentment.
In awarding her the literature prize in 2020, the time that is first American poet were recognized since T.S. Eliot in 1948, Nobel judges praised “her unmistakable poetic voice that with austere beauty makes individual existence universal.”
Glück’s poems had been usually short, a webpage or significantly less in total, exemplars of her accessory to “the unsaid, to suggestion, to eloquent, deliberate silence.”
chairman Barack Obama honors Glück the 2015 nationwide Humanities Medal on her “decades of powerful lyric poetry that defies all attempts to label it definitively.”REUTERS
Influenced by Shakespeare, Greek myths and Eliot and others, she asked and also at occasions terminated outright the ties of love and gender, just what she called the “premise of union” within her most well-known poem, “Mock Orange.”
In some means, existence for Glück had been like a troubled relationship — fated for unhappiness, but important because discomfort had been the normal condition — and better just what she thought would follow.
“The advantage of poetry over life is that poetry, if it is sharp enough, may last,” she when composed.
In her poem “Summer,” the narrator covers her partner and remembers “the days of our first happiness,” when every little thing appeared to have “ripened.”
Then the sectors shut. Gradually the full nights grew cool;
the pendant leaves of the willow
yellowed and fell. And in each of us began
a deep isolation, though we never spoke of this,
of the absence of regret.
We were artists again, my husband.
We could resume the journey.
A Pulitzer winner, said in a statement Friday that Glück’s poetry had
her many times.(* in some ways, life for Glück was like a troubled romance — fated for unhappiness, but meaningful because pain was our natural condition — and preferable to what she assumed would follow.AP “Marigold and Rose.”Poet Tracy K. Smith she composed.“The Odyssey”Glück released a lot more than a dozen guides of poetry, along side essays and a brief prose fable, “How could the Giants name/that place the Meadowlands? It has/about as much in common with a pasture/as would the inside of an oven.”
She received upon anything from Penelope’s weaving in “The Wild Iris,” to an unlikely muse, the Meadowlands sports complex, which inspired her to inquire of:
In 1993, she acquired the Pulitzer Prize for “My poor inspired creation … You are/too little like me in the end/to please me.”
an exchange to some extent between a beleaguered gardener and a deity that is callous. “premise of union”What is my heart to over and over,” the gardener wonders you/that you must break it. The god solutions: “Mock Orange.” impacted by Shakespeare, Greek myths and Eliot and others, she asked and also at occasions terminated outright the ties of love and gender, just what she known as
within her many poem that is famous “The Seven Ages,“ ”via REUTERS “Vita Nova”Her other books included the collections “Poems 1962-2012.”
The Triumph of Achilles,” and a highly acclaimed anthology, Besides winning the Pulitzer, she received the Bollingen Prize in 2001 for lifetime achievement and “Faithful and Virtuous Night.”
the National Book Award “decades of powerful lyric poetry that defies all attempts to label it definitively.”
in 2014 for
She was the US poet laureate in 2003-2004 and was awarded a National Humanities Medal in 2015 for her https://statefort.com/category/news”>UniversityGlück was married and divorced twice and had a son, Noah, with her second husband, John Darnow.https://statefort.com/category/news”>ClassroomShe taught at several schools, including Stanford
“You would hand in something and Louise would find the one line that worked,” not as a distraction from her poetry, but as a* that is( college students would remember her as requiring and inspiring, maybe not above generating somebody weep, but additionally respected for directing young adults on the lookout for their sounds.
“You would hand in something and Louise would find the one line that worked,” not as a distraction from her poetry, but as a* that is( college students would remember her as requiring and inspiring, maybe not above generating somebody weep, but additionally respected for directing young adults on the lookout for their sounds.the poet Claudia Rankine, exactly who learned under Glück at Williams “There was no place for the niceties of mediocrity, no false praise. When Louise speaks you believe her because she doesn’t hide inside of civility.”
, informed The involved click in 2020. “maid-of-all-work moral leader,”A native of the latest York City exactly who spent my youth on lengthy isle, ny, she had been a descendant of east European Jews and heir to an creation that is everyday associated with poetry: Her father helped invent the X-Acto knife.
Her Mother, Glück would write, was the grouped household’s “Parados.”
the main one whoever examination of her tales and poems she seemed to first and foremost other individuals.
Glück has also been the midst of three siblings, certainly one of who passed away prior to had been she created, a tragedy she appeared to consider within her poem
Long back, I found myself injured.
to exist, in reaction,
out of touch
with the global world: I’ll tell you“bear witness,”what I meant to be –“inheritance.”
a device that listened.
Not inert: still.
“Analysis taught me to think. Taught me to use my tendency to object to articulated ideas about my own ideas, taught me to use doubt, to examine my own own speech for its evasions and excisions,”A piece of wood. A stone.“The longer I withheld conclusion, the more I saw. I was Learning, I believe, how to write, as well.”
Describing herself as born to
Glück felt at home with the word that is written regarded the English vocabulary as her present, actually her
But as a teen, she had been thus greatly bold and self-critical that she waged combat along with her very own human anatomy. She endured anorexia, fell to 75 lbs and had been terrorized by her death.“Firstborn,”the woman existence, imaginative and normally, had been stored she recalled during a 1989 lecture at the Guggenheim Museum after she chose to see a psychoanalyst. Glück was too frail to become a college that is full-time and rather sat in on courses at Sarah Lawrence college or university and Columbia college, locating teachers when you look at the poets-teachers Leonie Adams and Stanley Kunitz. The Atlantic Monthly and other magazines.(* by her mid-20s, she was publishing poems in The New Yorker Glück stands next to her Nobel Prize for Literature medal and diploma outside her home in Cambridge in 2020.REUTERS “rigid performances”Glück’s debut book, “Firstborn.”
was published in 1968, and preceded a long stretch of writer’s block that ended while she was
Teaching“The House on Marshland,” at Goddard College in the early 1970s.
She had once believed that poets should avoid academia, but found the engagement with Goddard students so enriching she began poetry that is writing, work she viewed as really beyond the “brutal punitive blankness,” of
Out of their silence she found a fresh and much more vibrant sound.“The Wild Iris”the woman 2nd publication, “Ararat” arrived in 1975 and it is thought about her crucial breakthrough.
“I’ve always had this sort of magical-thinking way of detesting my previous books as a way of pushing myself forward,”But she carried on to experience numerous years of just what she called* that is( when she tried everything from gardening to listening to Sam Cooke records to break out.(*)Subsequent books such as (*) and (*) became testaments to personal and reinvention that is creative just as if her earlier guides were authored by some other person.(*) she informed the Arizona Square Assessment in 2015. (*)